
Category: Old Master Drawings French
Francois Boucher (1703 – 1770), The Death of the Virgin after samuel van hoogstraten

Claude Louis Desrais, Paris (1746- 1816), The Storming of the Bastille

Claude Mellan (1598-1688), Portrait of Vincenzo Giustiniani 1631

Attributed to Claude Mellan, Abbeville 1598 to 1688 Paris
Hubert Robert (1733-1808), A Gentleman Carrying His Coat

Jacques-Louis David (1748-1825), A scene from Classical Antiquity

(Paris 1748-1825 Brussels)
Hubert Robert (1733-1808), Monks Conversing by a Rocky Outcrop

230 by 180 mm; 9 by 7 inches
Hubert Robert (1733-1808), View of the Temple of Hercules at Cori with Man and Women at Work in the Foreground

230 by 180 mm; 9 by 7 inches
Hubert Robert (1733-1808), A Man Wearing a Turban

245 by 140 mm; 9 by 5 in
Jean-Honoré Fragonard (1732-1806), The Prisoner

The Prisoner
9 x 7 inches, 23.2cm x 17.5 cm
Jean Pillement (1728-1808, Washerwomen and fishermen at a stream, a village beyond

Jean Pillement (Lyon 1728-1808)
Washerwomen and fishermen at a stream, a village beyond
Description:
signed ‘J. Pillement’ (in brown ink)
black chalk, stumping, grey wash, three watermarks device and proprietary
15 x 19 ¾ in. (38.2 x 50.2 cm.)
Jacques-Louis David (1748-1825), The Death of Pentheus

inscribed in grey ink, lower left: nel palazzo giustiniani
134 by 194 mm
David was particularly fond of scenes and themes from Classical Greek antiquity. This is a drawing of an antique relief in the Giustiniani Collection, which David would likely have fresh on one of his trips to Rome.
Pentheus was a king of Thebes. He violently disapproved of the Bacchic cult, but was tempted to watch its rites. He was discovered by his mother, Agave, and his aunts, who in their fury dismembered him. The story is told by Euripides in The Bacchae and his account is quite accurately shown here: ‘Possessed of Bacchus… his left arm she clutched in both her hands, and set against the wretch’s ribs her foot, and tore his shoulder out…’ See P.P. Bober and R. Rubinstein, Renaissance Artists and Antique Sculpture, London 1986, p. 120-21, no. 87 (the story and quotation given in a description of a different sarcophagus).